Here’s a follow up to the recent video I made about the world famous Purdie Shuffle. In this one I cover playing a ghost note after the backbeat accented snare note and the ope hihat options. Enjoy.
After getting my 20″ Zildjian ride lathed and improved by Dave Collingwood, I was delighted he agreed to have a conversation with me where I asked him about his journey as a cymbal maker, being self-taught, the desire to share knowledge for the benefit of others and the challenges of learning and teaching in general. I enjoyed it very much and learned a lot. I hope you do too.
I had my clunky 20″ Zildjian Ride modified by UK cymbalsmith Dave Collingwood who lathed a bunch of metal off it. In this video I explain the process and demonstrate the differences between the original and modified versions of the cymbal.
I was very glad to have the opportunity to speak with drummer Michael Oloyede from Lagos in Nigeria who’s written a brilliant book on Afrobeat. The book covers technical exercises to help develop the coordination you need for Afrobeat drumming and specific groove patterns based on a wide variety of Afrobeat tracks. The book includes loads of audio examples of the patterns to help you learn them. I highly recommend anyone with an interest in Afrobeat and any drummer who… Read More »Conversation With Afrobeat Drummer Michael Oloyede
I recently contacted master British cymbal maker, Dave Collingwood, if he could do something to improve my 20″ Zildjian Ride cymbal. I’ve been feeling a bit at a loss as to what to do with the thing since it seems to sound increasingly clunky and clangy as time goes by and the more I tend towards light playing. I put it on eBay but it didn’t find a buyer and each time I put it on a stand and tried… Read More »Can My 20″ Zildjian Ride Cymbal Be Improved?
Here’s a couple of videos introducing some technical exercises that will help you develop the coordination required to play Afrobeat in a Tony Allen influenced style. These exercises are written for the ride cymbal in order to allow the focus to rest on the coordination of the hand patterns with the bass and hi hat without being too concerned with the sound of the stick on the hi hat which demands a more fine level of control on the hi… Read More »Afrobeat Technical Primer Parts 1+2 – Bass & Snare
My latest video is a demonstration of the Tunnel Test which is a way of using a metronome with some bars of click and some bars of silence. This is a great way to improve your internal clock and gain confidence in your amazing timing skills which will have improved as a result of doing the Tunnel Test. Enjoy.
Here’s a quick video explaining how to develop your fill playing for Train beats. The key thing is to drill a bunch of accent patterns (and ideally memorise them) at a slow tempo and in relaxed style. Once you can play them, add each one to a bar and a half of Train beat and play until you can seamlessly go from the backbeat snare accent on the &’s to the fill pattern. Work on each pattern individually and get… Read More »Train Beat Basic Fills Vocabulary
Andy Edwards is a drummer, teacher, producer and YouTuber who I’ve somewhat innacurately described the Midlands’ Rick Beato. I had the opportunity to have a long conversation with Andy recently and bung it up on YouTube. We talked about the disproportionate deification of John Bonham and other untouchables and how our tendencies to worship some characters above all others can stifle our education, imagination and creativity. It was a fun chat and I am hoping to have more conversations with… Read More »Why I Don’t Talk About Bonham – With Andy Edwards
I can’t for the life of me decide if I should write hihat as one word or hi hat as two words. What do you think? Here’s the lowdown on how to play the left-handed hihat bark as you might hear on Aretha’s Rock Steady where the master Bernard Purdie gave us the most famous example of the thing and on Bullet In The Head where Brad Wilk gives us the same but somehow dirtier and more lethal. Take your… Read More »How To Play Left Handed Hi Hat Barks